I came across this illustration the other day amongst many, many long forgotten pieces from my years as a newsroom artist. The VCU Medical College Auxillary’s antiques sale was coming up and we needed cover art for a special feature section highlighting this annual benefit event. Me being the girl in the art department, such assignments usually landed on my desk. The guys got all the air and space and truck illustrations (Everyone knows girls can’t draw trucks!). Anyway this girl was always fine with the “ladies’ pages.” But back to this illustration: We had the catalog, but the photos were iffy at best. So I composed what I thought would be a good mix of key pieces. There was much emphasis that year, as I recall, on the Chinese influence in the show, thus the table and the porcelain vase. Then there were the usual European porcelains and a few American pieces (the clock and portrait). Sure wish now that I had taken notes on the actual items and their provenance. I’m sure the beat reporter was responsible for the “words” and captions associated with this as with any story. (Everyone knows artists can’t write — or spell!) What I distinctly remember is that I had a WHOLE DAY to do it! I developed this “square on” style because of such crazy deadlines. I could cut out shapes from frisket and block in the piece with my airbrush very quickly. Next I would add the details by hand with paint and brush and/or Prisma colored pencils. Then hit it again with transparent gray airbrush paint using a “hand frisket” for some shadows and modeling. I enjoyed recreating the patterns of the porcelain wares in particular. (Maybe this was foretelling of my ongoing assignment of designing fine Limoges porcelain for a current client, who must remain nameless for now.) As for the grandfather clock, this one struck up memories of the one my father built back in the 60s. My mother painted its face and wrote his name in the center, much like I added my signature on this illustration. I saved the guy in the corner for last, which is probably why he is the weakest part of the illustration as I attempted to capture the antique style of the primitive portrait. It didn’t work in airbrush and anyway, this guy was so creepy, with such little hands and I was running out of time. The dude reminded me then, as now, of Barnabas Collins of the old “Dark Shadows” serial. Johnny Depp would have been much more inspiring.